Western Living Magazine
This Calgary Patio Brings Indoor Entertaining to the Outdoors
5 Living Rooms with Bright and Beautiful Spring Vibes
Design Victoria 2026: Everything You Need to Know Before Tickets Drop April 8
6 Egg Recipes for Your Easter Brunch
Recipe: Mini Egg-Topped Cream Puffs
Vancouver Chef Vikram Vij’s Indian Chai Tiramisu (A Coffee-Free Twist on the Classic)
Cowichan Valley Travel Guide: Farms, Wineries and Food on Vancouver Island
5 Reasons to Visit Osoyoos This Spring
Tofino’s Floating Sauna Turned Me Into a Sauna Person
Spring 2026 Shopping List: Western Canada’s Best New Home Arrivals
The Hästens 2000T Is the Bed of All Beds
“Why Don’t Towels Stretch?” Herschel Co-Founder’s New Home Goods Brand Rethinks the Towel
WL Designers of the Year 2026: Meet the Industrial Design Judges
WL Designers of the Year 2026: Meet the Furniture Judges
WL Designers of the Year 2026: Meet the Interior Design Judges
The Indigenous designer behind Winnipeg's Indigo Arrows is bringing traditional patterns into modern spaces.
Anishinaabe interior designer Destiny Seymour spent her first decade in the industry working on commercial projects built for education and community (think university housing, libraries and daycare centres). But as she curated textiles and furniture for each space, Seymour struggled to find the right materials.
There werent any fabrics that represented the history of Manitoba, and Indigenous people, in a respectful way, remembers the Winnipeg-based designer. The Manitoba Museum is full of pottery, stoneware and bone tools crafted by Indigenous makersbut that's all behind glass. So Seymour took her first screen-printing class.
In 2016, the designer launched her first Indigo Arrows collection: a series of tea towels and pillows printed with patterns inspired by Indigenous artifacts. Each piece has an Anishinaabemowin name (the Bezhig pillow, for example, means number one, and the motif comes from a 400-year-old elk antler scraper).
Now she's expanded to drum stools, quilts and greeting cards; a collaboration with another Manitoban company, Freed, was picked up by Urban Barn last fall.
Despite her studio's growth, all of her products are still crafted in Winnipeg. To see Indigenous designs at such a large scale, and to be able to purchase them in a retail store, is really important, says Seymour. When I was in school, I didnt see any Indigenous designers in magazines. The goal is for us to be celebrated and to see ourselves represented, not just in a museum. Mission accomplished.
MORE PILLOW TALK: Vancouver Textile Artist Tafui McLean’s Soft Art
Alyssa Hirose is a Vancouver-based writer, editor, illustrator and comic artist. Her work has been featured in Vancouver magazine, Western Living, BCBusiness, Avenue, Serviette, Geist, BCLiving, Nuvo, Montecristo, The Georgia Straight and more. Her beats are food, travel, arts and culture, style, interior design and anything dog-related. She publishes a daily autobiographical comic on Instagram at @hialyssacomics.
Are you over 18 years of age?
Get the latest headlines delivered to your inbox 3 times a week.