Western Living Magazine
The Room: Pet Project
6 Rooms with Area Rugs That Pop
One to Watch: Houndz’s Christina Smith Makes Metal Furniture That Looks Soft
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How Vancouver’s Amélie Nguyen of Anh and Chi Hosts Lunar New Year at Home
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A Wellness Getaway in Squamish Valley: Off-Grid Yurts, Sauna Cycles and River Calm
Local Getaway Guide: A Peaceful Two-Day Itinerary for Harrison Hot Springs
“Why Don’t Towels Stretch?” Herschel Co-Founder’s New Home Goods Brand Rethinks the Towel
Audi Elevates the Compact Luxury SUV
New and Noteworthy: 10 Fresh Home Design Finds for Winter 2026
Entries Are Now Open for the 2026 Designers of the Year Awards!
Designers of the Year Frequently Asked Questions
Photos: The Western Living Design 25 Finalists Party
The fuss over Oca Pastificio comes from the lack of fuss.
Ask any artist (okay, at least any modern artist) what the most difficult task is and they will tell you it is drawing that perfect circle—anyone looking at it will know exactly where the mistakes are, because there’s no hiding space for error like you’ll find in shading or colouring. Which sort of makes Greg Dilabio the Titian of fresh pasta, Antoine Dumont the Bernini of the front of house, and their modestly sized Oca Pastificio the Uffizi of Commercial Drive—except that it’s easier to get into the Uffizi in July than it is to get into Oca, with its firm no-reservations policy and eight zillion people out there hankering for its wares.
The fuss over the spot comes from the lack of fuss—the pastas are made literally right in front of you by Dilabio, cooked just feet behind him, and then delivered to your table by Dumont and his small team in a relaxed choreography that’s a necessity in such a small room. The whole dance is accomplished with an air of the everyday, but one bite of Dilabio’s squash tortelli (one of the few staples on the ever-changing menu) and you’ll realize you’re in transformative territory here.
The melon baller.
Ratio by Michael Ruhlman.
Ferrari Trento for the bubbles.
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