Western Living Magazine
Why Longevity Is the Future of Furniture Design
Photos: Peek Inside the Homes of NHL Stars
5 Reasons Homeowners Are Choosing Custom Aluminum Pergolas
3 B.C. Wines to Drink This Fall, From Big Reds to Sparkling
How to Support Summerland’s Wineries One Bottle at a Time
3 Delicious Recipes to Try for Your Next Taco Night
The Past Is Always Present in Québec City
Where to Wine and Dine Around Kelowna in 2026
Farm to Glass: 13 Kelowna Spots That Celebrate Okanagan Bounty
10 New Furniture, Lighting and Decor Finds for 2026
In Living Colour: 8 Striped Home Finds for Summer
The Unsettling Wallpaper in A24’s ‘Backrooms’ Has a Very Vancouver Backstory
PHOTOS: Party Pics from our 2026 Designers of the Year Awards Party at Inform
Introducing the 2026 WL Designers of the Year
Robert Ledingham Memorial Award 2026: Schédio Spaces
Multidisciplinary artist Sara Clark turns her talents to traditional materials.
The collected works of Winnipeg artist Sara Clark reveal a steady progression from synthetic materials to the organic, and from loud to quiet. First came a series of full-volume, gold-flecked resin jewellery. She later cast the resin with wood to quiet the brilliant colours before abandoning the plastic altogether and stringing geometric wood shapes from natural cotton rope. Last year, the leftover lengths led to a line of knotted wall hangings inspired by her Chinese and Scottish ancestry. “After bouncing around with resin and wood, I wanted something that wouldn’t change, just as my heritage is unchanging,” she says. “These knots existed long before I made them.” Last fall, Clark launched her most minimalist work to date: a series of capsule-shaped wood vases, sanded to a natural polish by belt and by hand to let the properties of the wood emerge, at last unobscured.
Are you over 18 years of age?
Get the latest headlines delivered to your inbox 3 times a week.