Western Living Magazine
6 Home Offices Worth Clocking In For
Design Vancouver Festival 2026 to Feature More Than 40 Open Studios, Dozens of Events
Design Inspo: 5 Rooms That Look Gorgeous in Green
How to Support Summerland’s Wineries One Bottle at a Time
3 Delicious Recipes to Try for Your Next Taco Night
Say Cheese: Inside Whistler’s Tiny, ’80s-Inspired Cheese Shop
Where to Wine and Dine Around Kelowna in 2026
Farm to Glass: 13 Kelowna Spots That Celebrate Okanagan Bounty
The Best Okanagan Wineries for Architecture Lovers
10 New Furniture, Lighting and Decor Finds for 2026
In Living Colour: 8 Striped Home Finds for Summer
The Unsettling Wallpaper in A24’s ‘Backrooms’ Has a Very Vancouver Backstory
Introducing the 2026 WL Designers of the Year
Robert Ledingham Memorial Award 2026: Schédio Spaces
Industrial Designer of the Year 2026: Nolan Talbot-Kelly
Studio Balcaen Kwan—this year’s Arthur Erickson Memorial Award winner—is listening.
When it comes to celebrating architecture, our society often fixates on the bold and brash: the over-the-top designs screaming for attention. But Vancouver’s Studio Balcaen Kwan Architecture and Design offers a gentle rebuttal to the assumption that architecture needs to be loud, oversized or technologically extravagant to be impactful. Bettina Balcaen and Tillie Kwan founded their practice in 2018 with a shared belief in “quiet architecture”: an understanding that work driven by context, craftsmanship and the human experience is what really shapes meaningful environments.
It’s this philosophy of intention and focus that guides their small (by choice) studio, our 2026 winner of the Arthur Erickson Memorial Award for an Emerging Architect. Kwan and Balcaen met while working for acclaimed BattersbyHowat Architects—their employer for years before the opportunity to do a side project, a laneway house for a mutual friend, inspired them to consider striking out on their own. “It was just really enjoyable,” recalls Balcaen.
For both architects, a love for the built form emerged early on. Kwan grew up hanging out in Gastown, admiring historic buildings and developing a loose understanding from her parents’ architect friends about what a career in design could be. “I thought it was like, draw all day, come up with amazing ideas,” she says. “But then I went to architecture school and realized there was a lot more to it—in a great way.” She fell in love with the process of working with trades and fabricators. “It’s so great to learn from other people about how things come together, whether it’s millwork or metalwork.”
As Kwan was being dazzled by Gastown’s Dominion Building, over in Germany, a teenage Balcaen was busy considering a career in science. A high-school practicum in a lab came about while her parents were building a house—but when she found herself bored by the lab and invigorated by meetings with the architects, the design work her parents were undertaking inspired a change of plans. “I wanted a job that had challenges, and is never the same, and the course of the design process and construction process was super interesting. It was artistic but also had a scientific component,” Balcaen says. She made a last-minute switch to architecture school in her university application and never looked back. “I don’t regret it,” she laughs.
Now, eight years into Studio Balcaen Kwan, the duo is still having a great time—and producing great work in the process. “There is a level of sophistication in Studio Balcaen Kwan’s work that stands out,” writes judge Kelley Buffey of Akb Architects. “Their interest in how a space feels, and making that as much of a priority as how it looks, resonates.”
Though Balcaen and Kwan do bring on select additional team members as projects require and work closely with trusted local tradespeople, the biggest collaborators on each home are typically the clients themselves. Early conversations with homeowners focus on how they live—daily routines, rituals and long-term aspirations. But the duo doesn’t just listen: they watch. “We have a consistent way of paying attention: How do people move through space?” says Kwan. “Where does light enter? How do rooms change over the course of a day and across seasons?”
Balcaen received her master’s in architecture and urban planning from the Technical University Darmstadt in Germany; Kwan holds a master of architecture from the University of British Columbia—but, for both members of the team, that technical expertise and education is deeply enhanced by intuition. This approach is easily detected, no matter the typology of project, and with Studio BK, that could truly be anything, from a coastal retreat to a tight urban infill.
Their Discovery Island Family Retreat is a standout example: three low-profile cabins, arranged around a central courtyard, create a multigenerational ensemble that treads lightly on its forested site. With on-site milled cedar, refined detailing and passive environmental strategies, it achieves a quiet dialogue between architecture and the West Coast wilderness.
Over in Vancouver’s Kitsilano neighbourhood, the studio’s Kits Point I Residence demonstrates a thoughtful use of a compact lot—a vertical spatial sequence and central skylit stair flood the home with light while preserving privacy and neighbourhood scale. Their Trout Lake Duplex on the east side of the city, meanwhile, is a collaboration with a contractor friend who is also the client: the opportunity to offer a model of gentle density, reinterpreting Vancouver’s historic gabled vernacular through contemporary proportion, textured fibre-cement shingles and generous daylighting.
The homes are just a small sample of a growing portfolio, one in which Balcaen and Kwan continually display exceptional material refinement, environmental responsibility and contextual sensitivity—what judge Alfred Waugh, principal of Formline Architecture + Urbanism, calls “hallmarks of thoughtful, enduring architecture.” In fact, he declares Studio BK to be “one of Vancouver’s most promising young practices… with a mature, nuanced sensibility that seamlessly bridges landscape, context and domestic life across scales.”
So, yes, Studio Balcaen Kwan may call itself quiet, and the homes that Balcaen and Kwan are producing may be experienced and enjoyed by only a few lucky people. But don’t mistake “quiet” for “silent.” This is work that has something to say.
BB: I was always drawn to science and problem-solving, so I could have seen myself pursuing a career in research. I even interned at a pharmaceutical company, but some of the testing work made me realize the lab wasn’t quite the right fit for me.
TK: The Stelton teapot by Arne Jacobsen. The one we use at home was purchased by my mother-in-law on a trip to England in the 1980s.
BB: One of my favourites is the USM Haller modular furniture system. I like how durable, adaptable and timeless it is. It has been around since the 1960s and still feels just as relevant today.
TK: People often equate design with decoration and focus only on aesthetics. In reality, most design work is a collaborative problem-solving process and how something looks should never diminish usability and functionality.
BB: Flourist reminds me of my student days in Germany, where freshly milled flour and great bread were part of everyday life. I love that you can see the working flour mill from the café, then browse the shelf with cookbooks while enjoying breakfast.
TK: Helen’s Grill: this old-school diner has been around for over 60 years and my kids love the booths and individual jukeboxes.
BB: Harvest Community Foods. The first time I went, I was disappointed they didn’t make sandwiches. A few minutes later, I’d completely forgotten about that. My favourite dish is the rice noodles with almond-hazelnut sauce and charred chili greens—one of those meals I find myself craving on a grey, rainy day.
TK: Welks General Store is wonderfully curated and sells everything you need from housewares and health and beauty products to food and drink items, linen, toys, books and stationery.
Stacey is a senior editor at Western Living magazine, as well as editor-in-chief of sister publication Vancouver magazine. She loves window shopping on the job: send your home accessories and furniture recommendations over to [email protected]
Are you over 18 years of age?
Get the latest headlines delivered to your inbox 3 times a week.