Western Living Magazine
5 Homes with Showstopping Murals
Inside a West Vancouver Farmhouse Built Like a Tuscan Village
Trade Secrets: Dark Drama, Smart Design
How to Support Summerland’s Wineries One Bottle at a Time
3 Delicious Recipes to Try for Your Next Taco Night
Say Cheese: Inside Whistler’s Tiny, ’80s-Inspired Cheese Shop
The Best Okanagan Wineries for Architecture Lovers
Inside the $100-Million Reinvention of Fairmont Jasper Park Lodge
This Remote Texada Island Retreat Has Tiny Homes, Treehouses and a Forest Spa
In Living Colour: 8 Striped Home Finds for Summer
The Unsettling Wallpaper in A24’s ‘Backrooms’ Has a Very Vancouver Backstory
New in Stores: 11 Home Decor Finds We Love Right Now
Enter Western Living’s 2027 WL Design 25 Awards
FAQ: The WL Design 25 Frequently Asked Questions
Meet the 2026 Western Living Design Icons
Mouallem took a bite out of the film world with his original documentary starring Alberta's Burger Baron restaurant chain.
It was 2013, and Edmonton writer (and, full disclosure, former WL contributor) Omar Mouallem had hopped into his car to drive across Alberta and chase down a story/obsession about a quirky regional chain called Burger Baron. Like with all of Mouallem’s work, the resulting article blended riveting storytelling with a dash of the oddities of life and a slice of a deeper subtext that was both personal (his family owned a Burger Baron franchise in High Prairie) and broader (how the Lebanese diaspora became attracted to the chain).
In the years following the article’s publication, Mouallem’s stature kept growing—several books published, bylines in The New Yorker—but the story behind Burger Baron never left him. The pursuit ultimately culminated with him stepping behind the camera and, in the middle of a pandemic, creating a documentary. The Last Baron is a visual deep dive into the chain’s origin story, and the original short doc that screened on CBC received such acclaim that a full-length feature—set to debut in late 2022 and now titled The Lebanese Burger Mafia—is now in post-production.
The bread-maker. Some foolish hubris convinced me I had time to make my own bread, and that I could best the $4 loaf at the deli two blocks away. Nothing enjoyable has ever come out of that machine in the five years I’ve owned it.
At the risk of getting cancelled, I’d have to say that the lobster boiling scene between Woody Allen and Diane Keaton in Annie Hall was so perfectly improvised. I’ve never seen better chemistry between two people and a crustacean. Interestingly, it was the first scene they shot for the movie. It’s just too bad that, well, you know…
I still daydream about the most epic mezze I ever had at Damas, an upscale Syrian restaurant in Montreal that is truly one-of-a-kind.
Neal McLennan is the wine and spirits editor for Vancouver and Western Living magazines, where he susses out the wonderful (and occasionally weird) options for imbibing across Western Canada.
Are you over 18 years of age?
Get the latest headlines delivered to your inbox 3 times a week.