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Designer Brianna Hughes transforms an Edmonton home with cozy nooks and eclectic details to create a warm haven for a family of five returning from tropical climes.
In January 2021, Nicole and Shaun Brandt made the most of the proverbial working-from-home pivot, and moved from Edmonton to Baja, Mexico, with their three kids (who were all under 10 at the time). The weather was fabulous; the beaches spectacular; the food, the relaxed pace, et cetera—all tough to beat. After a few months, however, some of the family members (hint: it wasn’t Nicole or Shaun) started to long for familiar northerly climes.
“The kids wanted to come home,” says Nicole, who, once the decision to return to Edmonton was made, scoured real estate listings for weeks to find a house that would suit their stylish young family—and perhaps take the sting out of leaving behind an ocean view.
In stark contrast to the couple’s previous attraction to contemporary, open-plan homes, Nicole found herself drawn to a circa-1979 five-level split with wood panelling and two staircases. “It was a weird house, but I couldn’t stop looking at it,” she says. “I got the courage to show Shaun and he loved the feel of it, too.” Even though they knew they would renovate, the Brandts were inspired by the home’s eclecticism—the curved archways and, as Nicole saw it, “quirky twists and turns and nooks and crannies” spread over multiple levels. The couple hired Edmonton designer Brianna Hughes to modernize and connect the home’s haphazard dots without erasing the vintage Brady Bunch vibes.
Besides a kitchen extension that eliminated one set of stairs, the walls of the house were kept intact, and the house was re-designed in stages starting with the kids’ bathroom and the primary bathroom upstairs so that the family could live on that floor while the main floor was being renovated. The project came together bit by bit, informed by furniture, materials and design details the Brandts fell in love with along the way. The effect is a curated collection of rooms stylistically independent from each other yet still connected via texture and colour. Terrazzo and travertine are repeated in the bathroom and bedrooms; wainscoting in the dining room makes an appearance in the kids’ bedrooms and the loft; and a 1920s-style parquet floor in one room (the home’s abundant parquet was unsalvageable in the others) is echoed in a basket-weave cement tile in the kitchen. Hughes further weaved in consistency by creating new curving entranceways to match the arches original to the home. Overall, says Hughes, “there’s a lot of detail and colour and different eras in the house, but there’s a consistent softness to it.”
The Brandts drew a few of their favourite vintage finds compellingly into the pastiche. The kitchen’s island—Grande Vena Vecchia porcelain slab—is extended by a wood tabletop crafted in B.C. and attached to an antique base; the mix of materials pulls in warmth and personality. Likewise, upstairs, a circa-1960s scissor chair put some soul into the loft off the primary bedroom and opened Nicole’s eyes to its charm. “That room didn’t make sense to me at first,” says Nicole, who had its walls painted white. When the couple found they never used the room, Hughes suggested repainting in a cool grey-green (Benjamin Moore’s Night Train) and turning it into a record room. “The chair, the colour, the wainscoting—now I love it and I have my coffee there every morning,” says Nicole.
Hughes couldn’t do much about the northern latitude of the Brandts’ new house, but she managed to ensure the family was collectively drawn to the warmth and fun of the living room. Early in the project, Nicole had found a super-sized contemporary sofa from Article upholstered in retro fabric that could easily envelop the whole family in full loafing mode. “Nicole loved the sofa, but it’s enormous and it’s in rust-coloured corduroy, so it took some thinking to balance the look of it,” says Hughes. Playing off its ’70s look, she left the wood panelling on the ceiling above it and painted the large wall behind the sofa with Benjamin Moore’s Espresso. The fireplace and wall sconces amplify the coziness of the living room and the couch is, as was Nicole’s intention, the heart of the home. “It’s the first time all five of us have been able to sit together,” she says. It may not be a beach but sometimes the right piece of furniture in the right house has all the power of a sunny family holiday.
This story was originally published in the May/June 2024 print issue of Western Living magazine. Get your free subscription to the print edition here.
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